Melli researches femicide in literature and mythology. Tricia fights against misogynistic online hate and has experienced it firsthand. When they wonder where change can begin, they jokingly call on “the goddesses”—and, no sooner said than done, find themselves standing before the goddesses on Mount Olympus.
Demeter, Aphrodite, Athena: trapped in patriarchal structures that also dominate Mount Olympus and offer women only a few roles – muse, hetaera, porne. How to escape patriarchy? One believes in tenderness, the other in lust as a remedy, the third in revenge. In their discussion with the two mortals, a century-old theme is revealed: how do women live with a history they did not write themselves?
Golda Barton's Porneia opens up a space in which myth and the present collide in a lustful and contentious way, inviting reflection on justice, different perspectives on feminism, and the possibility of a different history: herstory instead of history.
- Tricia
- Melli
- Enrico
- Aphrodite
- Demeter
- Athene
- Kinderstimme
- Marleen D'Urso
- Regie
- Choreografie
- Bühne
- Licht
- Kostüme
- Musik/Komposition
- Video
- Razia Hussaini
- Dramaturgie
- Andrea Schwieter
Regieassistenz Leo Borgmann Austattungsassistenz Ariane Stamatescu Assistenz Sounddesign Marek Polgesek Aufnahme Kinderstimme Kamil Janus Soufflage Michael Grötzsch Regiehospitanz Lily Anne Beck Künstlerische Vermittlung Anne Katrin Klinge
Technische Leitung Gaußstraße TIlmann Cassens Bühnentechnik Markus Alsen, Philipp Haussner Beleuchtung Christin Lewke, LUIS BRieden, Olaf Brandt Ton Jakob Rothstein; Katrin Fuhrmann, Patrick Siebrecht Maske Julia Wilms; Amelie Broich, Birgit Stenzel Kostümwerkstätten Ann-Katrin Mohr Gewandmeister*innen Christian Pursch, Susanne Dohrn, Angela Spannhake Kostümmalerei /-plastik Torsten Schütte Requisite Ralf Gebert; Ulrike Lammers
Dates
Further dates are being planned.

















