Jungle B
ook reimag
ined

Dancers
Maya Balam Meyong, Bea Bidault, Ferghas Clavey,
Harry Theadora Foster, Filippo Franzese, Bianca Mikahil,
Jasper Narvaez, Matthew Sandiford, Elpida Skourou,
Jan Mikaela Villanueva, Lani Yamanaka
Director/ Choreographer
Akram Khan
Creative Associate/ Coach
Mavin Khoo
Writer
Tariq Jordan
Dramaturgical Advisor
Sharon Clark
Composer
Jocelyn Pook
Sound Designer
Gareth Fry
Lighting Designer
Michael Hulls
Visual Stage Designer
Miriam Buether
Art Direction and Director of Animation
Adam Smith (YeastCulture)
Producer/Director of Video Design
Nick Hillel (YeastCulture)
Rotoscope Artists/Animators
Naaman Azhari
Natasza Cetner
Edson R Bazzarin
Rehearsal Director
Nico Monaco
Producing Director
Farooq Chaudhry
Executive Director
Isabel Tamen
Project Manager
Mashitah Omar
Touring Production Manager and Prop Maker
Harry Abbott
Lighting Engineer
Stephane Dejours
Sound Engineer
Enrico Aurigemma
Video Technician and Projectionist
Matthew Armstrong
Technical Stage Manager
Russell Parker
Rudyard Kiplings „Dschungelbuch“ ist seit seiner Veröffentlichung im späten 19. Jahrhundert ein Weltklassiker. Ursprünglich erzählt es davon, wie das Findelkind Mowgli bei den Tieren im indischen Dschungel aufwächst und in der Auseinandersetzung mit der Natur und den Tieren allmählich erwachsen wird. Akram Khan erzählt die Geschichte anders und heutig: Mowgli ist hier ein Mädchen. Es ist, bedroht durch eine große Flut, vor der Klimakatastrophe geflüchtet. Von einem Wolfsrudel gerettet, landet es im Dschungel der von Menschen verlassenen Großstadt, die von den Tieren zurückerobert wurde.
Der aus Bangladesh stammende britische Tänzer und Choreograph Akram Khan, zuletzt mit einem überwältigenden Soloabend bei den Lessingtagen zu Gast, kehrt mit dieser ungewöhnlichen magischbetörenden Version des „Dschungelbuch“ zurück. Nach Stationen in europäischen Metropolen wie Wien, Edinburgh oder Amsterdam jetzt auch in Hamburg.
Dauer: 2:10 Stunden, eine Pause
In englischer Sprache mit deutschen Übertiteln
31. Januar 2025, 19 Uhr, Thalia Theater
1. Februar 2025, 19 Uhr, Thalia Theater
Am 1. Februar im Anschluss: Peter Helling (Freier Kulturjournalist NDR 90,3) im Gespräch mit dem Ensemble
Co-produced by
Curve Leicester, Attiki Cultural Society – Greece, Birmingham Hippodrome, Edinburgh International Festival, Esplanade – Theatres on the Bay Singapore, Festspielhaus St. Pölten, Internationaal Theater Amsterdam, Joan W. and Irving B. Harris Theater for Music and Dance – Chicago, Lincoln Center for the Performing Arts – New York, Maison de la Danse / Pôle européen de création – Lyon, National Arts Centre – Canada, New Vision Arts Festival – Hong Kong, Orsolina28, Pfalzbau Bühnen – Theater im Pfalzbau Ludwigshafen, Romaeuropa Festival, Stanford Live / Stanford University, Teatros del Canal – Madrid, théâtre de Caen, Théâtre de la Ville – Paris.
The technical adaptation of Jungle Book reimagined is kindly supported by Les Théâtres de la Ville de Luxembourg
With the support of
Garfield Weston Foundation, Genesis Foundation and Angela Bernstein CBE
Supported by
Arts Council England
"Die Bilder sind magisch und betörend." Tanzschrift.at
"Mit großartigen Tänzer:innen, einer filmtauglichen Musik und künstlerischen Animationen kann Akram Khan im Burgtheater das Publikum des ImPulsTanz Festival begeistern." Tanzschrift.at
JUNGLE BOOK REIMAGINED
SYNOPSIS
ACT I
Sea levels are rising; waters dominate land; and humans scramble for their survival in search for higher ground. A young child finds herself separated from her family and ends up in a flooded city, deserted by its human inhabitants. Monuments have been uprooted and rearranged, and animals of all shapes and sizes have congregated here and formed an uneasy alliance as they try to live with this new unreliable climate. They have claimed this cityscape as their own – marking their territories in libraries, supermarkets, governmental buildings, and even places of worship.
The child is discovered by the wolf pack led by Raksha and Rama. Raksha wants to keep the child, but Rama insists that humans bring danger, and they must destroy it. Raksha protects Mowgli and presents her to an animal council, led by Akela, a dog, and with the watchful eyes in the sky of Chil, the kite. The animals speak of a mysterious hunter, a human who has been cast out by his own kind. The hunter has returned to these lands and keeps the animals in constant fear. After much deliberation, the child is accepted by the council and the naming process begins: Mowgli. Mowgli is set to work straight away; she must prove her worth and help the animals in their search for food. Maybe human instincts are just what they need.
Mowgli finds herself in the company of Bagheera, a kidnapped albino panther who grew up in a palace, and Baloo, an escaped dancing bear. However, on their quest for food, Mowgli is taken by the Bandar-log; lab monkeys who have had all kinds of experiments done on them. Through cunning, the Bandar-log outwit Baloo and Bagheera and steal Mowgli. Bagheera and Baloo must now find an animal capable of striking fear into the Bandar-log. After all, they are not animals of the tree world. They seek out Kaa, a rock python, who has escaped from captivity but still lives with the traumas of a lifetime stuck behind a glass viewing screen.
ACT II
Mowgli is taken to the Bandar-log’s lair, a ransacked governmental building. The Bandar-log are no strangers to humankind; they come from testing laboratories and regurgitate commercial jingles and political rants they heard from their cages. They listened, copied, and aped the humans, but now they want to become them. Mowgli is the missing piece of the puzzle. A human child to teach them how to fully become human.
With the help of Kaa, Baloo and Bagheera rescue Mowgli from the hands of the Bandar-log just at the moment she is about to help them create fire: the most feared possession of mankind. Animals can’t control this. Mankind can.
When Mowgli is saved, the trio return to the council where Hathi, the leader of the elephants, tells them of their ancient tale, back to the time when the jungles they once knew were created.
But when the hunter finally breaches their territory, and shoots down Chil, the animals know that this spells the beginning of the end of the peace they have forged together. Mowgli, remembering her mother’s words throughout her journey, decides to stand up and fight for her newfound friends and seeks out the hunter and end his savagery.
