Medea and Jason

Med
ea and J
ason

Medea – The golden fleece by Franz Grillparzer Directed by Jette Steckel
Director
Jette Steckel
Staging
Florian Lösche
Costume
Aino Laberenz
Music
Friederike Bernhardt (Geza Cotard)
Johannes Cotta (Geza Cotard)
Choreography
Yohan Stegli
Dramaturgy
Julia Lochte
With
Maja Schöne (Medea)
André Szymanski (Jason)

Tuana Arslantas

 

sowie

Chor der Kinder: Lisa Ambokadze, Sofie Ambokadze, Johanna Alde, Tuana Arslantas, Goya Brunnert, Malo Burfeind, Alice Dik, Helene Jensen, Klarissa Klotz, Stella Koch, Leandre Marvin Kordts, Marta Laubinger, Lilly Lengenfelder, Connor-Cash Leonhard, Jon Löhrs, Philine Mai, Rasmus Meyer-Loos, Klara Mittelstraß, Alina-Sophie Müller, Carla Robinson, Katerina Shabarkova, Neeltje Voller, Jascha Volz

 

Live-music
Geza Cotard

‘Colchis. Wild region’ – that’s how dramatist Franz Grillparzer begins his trilogy about Medea, daughter of King Aietes, a great lover whose love turned her into a saviour and murderer.
Her legend has lived on since ancient times. It keeps being rewritten, even today. It is the end of Medea’s life that made her famous: the monstrous act of desperation, the murder of her own children. Like every brutal end to a story, this one also has a history.
‘Colchis. Wild region’ – here on the banks of the Black Sea lands the Greek hero Phrixus. His ship has a golden fleece as the sail, a mysterious hide. Aietes, the King of Colchis, kills his guest and robs the golden fleece. The young Medea witnesses the murder. Years later, the Argonauts reach Colchis from Greece and demand the golden fleece back. King Aietes plans to poison their leader, Jason. But Medea saves the stranger, whom she has fallen in love with, sacrifices her father and brother and flees with him. After a long odyssey to Jason’s homeland where they were not welcome, they reach Corinth and seek asylum. In the mean time their children are born, but their love fades away. Medea remains a stranger here. Jason starts a relationship with the King’s young daughter Creusa, Medea surrenders.
Uprooted, unable to cope with the betrayal, she lashes out in revenge and confesses: “They called me evil, I wasn’t. It is only I who can feel what I become.”

Director Jette Steckel, who was most recently at Thalia with her productions of Nino Haratischwili’s ‘The Eighth Life (For Brilka)’ and Shakespeare’s ‘The Tempest, tells Medea’s tragic story in a long arc, as a string of violent experiences, breaches of law, betrayals and marginalisation. A migration story and an extremely tense relationship drama: Jason and Medea.


Thalia Theater , 20th October 2018

Foto: Armin SmailovicFoto: Armin SmailovicFoto: Armin SmailovicFoto: Armin SmailovicFoto: Armin SmailovicFoto: Armin SmailovicFoto: Armin SmailovicFoto: Armin Smailovic
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